Gestos musicales en la transición del clavecín al pianoforte (1770-1820)
This document examines the evolution of various “musical gestures” during the transition from harpsichord to pianoforte, focusing on the period 1770-1820.The work is based on historical sources and on my own experience as a Seating pianist.The first part studies effective gestures (associated to the instrument and its touch), and the second one